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I think I am going to start this Visiting Dolly Artist blog, by giving people a blow by blow of my day! I got up at 5 a.m., and fed my 17 animals, soon to 18, as we are taking in a little female cat that twitches. Now for those of you who know me, I have only broken and mostly really elderly animals. So of course why wouldn’t we take the twitcher.
After surviving a week that seemed endless and experiencing extreme joy about the approaching weekend, I decided to make a cyber doll purchase. This will not provide long-term gratification like an actual doll purchase, but the goal is for any form of doll gratification, real or fake.
I asked myself, “If you could afford to buy any doll of your heart’s desire, which doll would you choose?” I answered, “A Leo Moss doll!”
I covet at least one Leo Moss doll for my collection. Any one of his elusive and thousands-of- dollars-valued dolls, which date back to the late 1800s through the early 1930s, is certain to provide instant and long-term gratification.
Moss, a native of Macon, Ga., and handyman by trade, sculpted doll heads of papier-mache without the use of molds. He purchased manufactured bodies from a New York toy supplier.
Moss used family members and friends as subjects for his dolls. Research shows if a child cried during the sculpting process, he included the tears. A twist to this story: Moss added tears to child dolls after his wife left him and all, except their youngest child, a baby, to run off with the NY toy supplier!
When I actually acquire a Leo Moss doll, I will cry … tears of joy.
When you love a doll you know that there is more to it than meets the eye. The feeling that you cannot put into words when the uninitiated wonders why you buy those things. It’s possible that you can’t describe your passion as you haven’t thought it through yourself.
Whether you have one important doll or collecting has become an obsession, take a moment and look into that face. That doll is speaking volumes and you might want to listen. You don’t have to tell anybody.
Consider using a doll as a psychological tool as she, or he, may hold a key to an aspect of your personality that you never considered. Give it a try. This may sound like nonsense, but I’ve been trying it and the experience is enlightening. Look at it as another creative way to play.
I bought my first collector doll last fall, Berdine Creedy’s "Vivie," which I swear was modeled after my 6-year-old self, as the resemblance is uncanny. For me, my recent discovery of the doll world has become a rediscovery of a part of my childhood.
If you haven’t already, be sure to check out our latest doll video. It features Goodreau Doll’s Upside Down Oz series in celebration of the 70th anniversary of the classic film. To take photos for the video, I set up in my backyard on a hot sunny day. The heat was intense, the bugs were bothersome and I procured an ongoing case of pesky poison ivy ...
Life at a small publishing company can get very hectic with a zillion things to do and far too few minutes in a day. And in the midst of the mayhem, at times I seem to lose touch with the dolls, with my job becoming about everything else and not them. So, I love it when they pull me back.
One of the most difficult aspects of being DOLLS editor is cutting submissions. As I wade through entries, most pieces compel me in some way or other, and so selection often comes down to how new a piece is, how good the composition and lighting of a photo is and how a piece will play into and balance out the editorial mix for a given issue or story.
• They’re constantly changing. Just when you think you’ve seen it all, you see another inspiring doll creation completely different from anything that’s been done before. Where do the artists draw they’re constant source of innovation inspiration from?
You get to live vicariously through their fashions. Let’s face it. Most of us don’t have a chance at carrying off Lolita, gothic, punk, high-fashion sophisticate or little-girl perfect styles. But it sure is fun to see dolly models flaunting them with abandon!
Our July issue of DOLLS is out, and it’s one you shouldn’t miss. It features everything from Hasbro’s new fashion doll “Lorifina” (boy, is she gorgeous, and best of all customers play a role in her design), to new Kish & Co. dolls, including two sketches by Helen Kish, and ball-jointed dolls galore: from the quirky and charming creations of Charles’ Creature Cabinet and unique Domadoll centaurs to Kyo Otake’s gorgeous museum-quality ball-jointed dolls (it sometimes takes her a year to make just one!) and Michele Hardy’s imaginative costuming. Even better, though, are the great features our digital edition offers.
On a recent mini-trip to Chicago, we dined at a nice Italian place (and then an Irish pub to fill up because the quantities were so small!). Then, we listened to blues with talent ranging from “there’s a reason he’s singing in this dive” to “why hasn’t she tried out for “American Idol,” yet?” The next day it was shopping. I had planned on visiting FAO Schwarz to get a doll fix, but much to my chagrin, I discovered the Chicago location doesn’t exist anymore.
Toy Fair was great. Yes, the doll exhibitors said sales were down, there were fewer exhibitors than last year but over all, we had a great show. This was due in part to the opportunity to visit old friends, get great feedback from exhibitors and expand our knowledge of the market.
Was it coincidental that when Ty—yes the same company that brought us Beanie Babies—launched the first African-American dolls in their plush Ty Girlz series they just happened to have the same names as newly elected President Barack Obama’s daughters, Sasha and Malia? The company maintains that is the case.
Do we all feel the pain? Is the economy effecting everyone? I hear people say it's happening all over. Gannett just announced that all of it's employees will have a one week layoff. Many companies are downsizing, cutting hours and cutting staff. Others, such as Circuit City have closed their doors completely.
Romance, designed by artist Karen Scott for the Marie Osmond Doll Collection, captures hearts in a sheer, embroidered organza dress and long, dark, curly hair. The 17-inch doll is part of an edition of 1,200 and is priced at $129.95. She is made of porcelain and has a cloth body.
Click here to see an array of delightful love-me-tender-themed dolls.
Ahhh ... technology. What a wonderful thing. What a terrible thing. As we've worked hard to launch DOLLS magazine's new Web site, I've developed a rather love-hate relationship for the 21st century's golden child.