|Glowing Through the Decades: “The Dark Crystal” celebrates sculpting, dreaming, and 30 years of design brilliance.|
I’m thinking a lot about Henson today because I just watched “The Dark Crystal” with my family over the long Memorial Day weekend. Shockingly, this all-puppet cast made its debut 30 years ago! It was 1982 when this flick played in cinemas across America and around the world. That is staggering, and makes me feel like Methuselah. I really find it hard to accept that three decades have gone by since the Henson and Brian Froud collaboration entered the marketplace.
At the time, Henson was the king of family-friendly, prime-time entertainment. “The Muppet Show” was a hit on U.S. television, and was even more beloved in Britain. The cast of cloth critters attracted big-name performers to drop by on the set and act opposite a lineup of dancing mice, singing amphibians, campy pigs, and wisecracking bears. Stars like Linda Ronstadt, Rudolf Nureyev, John Cleese, and Alice Cooper (yes, the makeup-wearing, Goth-before-it-was-Goth rock star) appeared on the weekly series.
The legacy of the Muppet episodes is still being felt today: check out Cee Lo Green’s homage to his childhood idol Elton John’s “Crocodile Rock” appearance on the puppet program http://www.youtube.com/watch?v=z6-gc5rOqow. It is a cacophony of musical madness, outlandish overacting, and fabulous feathery fashions.
“The Dark Crystal” is much more sedate than this explosion of eye-popping eye candy, but it is 110% more ambitious (if that is even mathematically possible). The movie is 93 minutes long and there is nary a human in sight. Instead, the action follows otherworldly races of intelligent life-forms: the Gelflings, the Podlings, the Mystics, and the Skeksis. There are also bad critters/malleable creatures that are able to be manipulated and dominated for either good or evil purposes: Garthim, Crystal Bats, Landstriders, and Nebrie.
An entire alternate universe and highly functioning ecosystem is laid out in this film, and every square inch of it is done through the use of fabrics, wigging, jointing, and sculpting. It is remarkable to behold, and the meticulous hierarchy of characters and their traits—all of it rich and deep and significant—is courtesy of Brian Froud, who was revered at the time as an illustrator and expert in the field of elves and fairies. He didn’t just draw these sprites and pixies; he seemed to see into their anatomies and their genetic composites (http://www.worldoffroud.com).
The flick is also a celebration of the artistic abilities of Wendy Froud, Brian’s wife. The American-born doll artist Wendy was also instrumental in sculpting/creating Yoda from “The Empire Strikes Back.” During the 1990s, when one-of-a-kind doll art was showcased in galleries in London, Chicago, and SoHo, Wendy’s fantasy-driven vignettes were hugely popular and widely sought after. So, watching the movie is also a throwback to the golden days of doll galleries and world-renowned doll exhibitions.
The plot of the fantasy tale is a story as old as time—“we have met the enemy, and it is ourselves.” While journeying to fulfill a quest, the brave and earnest Jen—one of the last surviving Gelflings—discovers that much of the evil that has destroyed and compromised his world can be controlled and can be defeated. He learns to recognize who is truly villainous, and finds within himself strength and courage that he never knew he possessed.
Part “Lord of the Ring” and part “The Black Cauldron,” this movie is not groundbreaking in terms of action or storyline innovation. Its plot is not anything to write home about, but the fact that the entire world is handmade and hand-controlled by puppeteers is incredible. These are not actors in electronic movement-grabbing bodysuits acting against green screens. This truly is a cast of puppets--and every expression, every emotion, and every heartbeat and eye flutter is courtesy of Henson and his colleagues.
My kids were totally enthralled, and were shouting at the screen by the tale’s end. They were urging the hero, Jen, and the heroine, Kira, to complete their mission—to finalize their task and save the world. Luckily, being at home in our living room, their overenthusiastic responses didn’t intrude on any other moviegoer’s good time. But that is the kind of film experience it is—even if it seems familiar to us old-timers, it is all new and captivating for the young’uns in our lives.
“The Dark Crystal” is not the greatest movie ever made. However, it is the most ambitious puppet movie ever mounted (and this is high praise from someone who is a “Team America” devotee).With summer upon us—and the children in your lives able to stay up later at night—catch this on cable or rent it from Netflix. You’ll be happy to have spent an hour and a half in the presence of pure, incomparable Henson imagination.
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The 2015 DOLLS Awards of Excellence Industry’s Choice winners (DAEs, also called the Diamond Awards) were announced at the International Doll & Teddy Bear Show in Asheville, N.C., June 6. The Industry's Choice winners will go on to become the nominee's in the Public's Choice voting, set to begin in late June.
Without further ado, here are the winners of this year's Industry's Choice Diamond Awards!
The Jones Publishing Lifetime Achievement Award is bestowed upon one recipient per year. This award was created in 2002 in conjunction with the 100th anniversary of the introduction of the teddy bear, with the first recipient being Steiff, a German-based plush toy company known for its high quality and prices.
The Lifetime Achievement recipient must be or have been involved in some aspect of the doll and/or teddy bear field for a minimum of 25 years. The recipient may be an individual, partnership, corporation, company, author, artist, marketer, historian or any other industry professional. Lifetime Achievement Award nominations may be made by previous recipients or members of the LAA committee.
To qualify as a nominee, entrants must meet the following criteria:
The Lifetime Achievement Award has been presented to the following individuals and companies since its inception:
2003 Hildegard Gunzel
2004 Alexander Doll Company
2005 R. John Wright
2006 Wendy Lawton
2007 Virginia Turner
2008 Toy Shoppe
2010 Helen Kish
2012 Maggie Iacono
2013 Heidi Plusczok
2014 Jack Johnston
2015 Kaye Wiggs
August 8, 2014 - Blackall Associates Inc. is proud to announce the winner of its Summer Heat Photo Contest. The contest drew entries from around the world. Masterpiece Doll collectors sent in a special photo showing how their Masterpiece Dolls were enjoying the summer heat.
You haven’t seen a toy show until you’ve seen this one. Six buildings! Over six hundred exhibitors! Exclusively toys and dolls and children’s playthings on display everywhere! This is the show everyone always says they intend to visit, and now is the time to do just that. Collectors say the Chicago Toy Show really is the largest in the entire world. They are correct. Collectors say they find toys at this show that are never seen anywhere else. Correct again.
19 April 2014 – 5 October 2014
A special exhibition will take place at the Toy Worlds Museum Basle to celebrate the 150th anniversary of Japanese-Swiss diplomacy and friendship.