|Dolls ARE Art!|
Dolls are seldom seen as art by the general public and the larger art community. It’s an interesting phenomenon to me. Well-executed dolls require mastery of far more artistic skills than required of, say, a painter—designing, painting, sculpting, wig-making, costuming and engineering, numbering among them. Yet, dolls are often viewed as eccentric, inferior and sentimental, and relegated to some non-lofty, non-art category.
But clearly anyone who doesn’t view dolls as art hasn’t seen an Iacono, Ortiz, Johnston, Dennis, Günzel , Daanen or Dye, for instance (just to name a few!)—all inarguably top-of-the-line artists who create masterpieces.
And manufacturers like Tonner Doll Co., Integrity Toys, Goodreau Doll and Kish & Co.—well, their glorious vinyl and resin renderings began their existence as original art, much like the reproduced prints that hang above most folks’ couches and no one hesitates to classify as “art”—however loosely used.
It’s been with some frustration that I’ve witnessed the extremely niche and segmented nature of the doll industry. Why don’t art dolls have a significant presence at arts and crafts fairs? Why does medium play such a big role in determining whether a piece is a “sculpture” or “doll” and thereby assigning its audience and relevance in the art world?
At one point, I became aware of a high-end New York City gallery exhibiting a doll artist’s work. I wanted to cover the exhibit in DOLLS magazine. The gallery owner reacted with disdain: He made it clear DOLLS magazine was no place to showcase his artist’s work—it was “art” not “dolls” he informed me. Ironic, considering the artist had made her debut in DOLLS magazine years prior.
And it’s been one of many cases I’ve seen indicating a similar mentality during my tenure with DOLLS magazine. I feel it’s unfortunate because dolls don’t get the credit they deserve, and the industry is thereby stunted and unable to bloom to its fullest potential.
The issue niggles at my brain, and I toy with ideas of how we as an industry, can transcend beyond a niche hobby that appeals to a niche group to something bigger and more widely recognized by the art industry.
Recently, a friend brought Ron Mueck to my attention. Dubbed a “hyperrealist sculptor,” the artist creates works using resin, silicone and mixed media—all materials commonly used by dollmakers. Usually he integrates soft hair and costuming (not sculpted)—both elements of a “doll.”
His works could be called art dolls. Yet they are most definitely not referred to as such. I wonder … how has he transcended the lowly doll world?
I don’t know if the wider world will ever view dolls as art, but I’m going to keep that perspective and promote it, too. In fact, this fall we’re holding a One-of-a-Kind Gallery Opening at the 2010 Doll & Teddy Bear EXPO in Winston-Salem, N.C., Oct. 1 at 5 p.m., where you will see some of the finest art in the industry and meet the artists, as well. Call (715) 445-5000, ext. 137, for tickets ($25).
So far the following artists have agreed to exhibit and more announcements to come!
I look at this OOAK polymer clay piece, The Offfering, by Marilyn Radzat and wonder how it could ever not be considered art.
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The Jones Publishing Lifetime Achievement Award is bestowed upon one recipient per year. This award was created in 2002 in conjunction with the 100th anniversary of the introduction of the teddy bear, with the first recipient being Steiff, a German-based plush toy company known for its high quality and prices.
The Lifetime Achievement recipient must be or have been involved in some aspect of the doll and/or teddy bear field for a minimum of 25 years. The recipient may be an individual, partnership, corporation, company, author, artist, marketer, historian or any other industry professional. Lifetime Achievement Award nominations may be made by previous recipients or members of the LAA committee.
To qualify as a nominee, entrants must meet the following criteria:
The Lifetime Achievement Award has been presented to the following individuals and companies since its inception:
2003 Hildegard Gunzel
2004 Alexander Doll Company
2005 R. John Wright
2006 Wendy Lawton
2007 Virginia Turner
2008 Toy Shoppe
2010 Helen Kish
2012 Maggie Iacono
2013 Heidi Plusczok
2014 Jack Johnston
2015 Kaye Wiggs
2016 Robert Tonner
One World Holdings, Inc. and Tonner Doll Company, Inc., announced Dec. 3, 2015, that their Boards of Directors have approved a definitive agreement for One World Holdings' subsidiary, The One World Doll Project, to merge with Tonner Doll. The agreement was entered into Dec. 2. Following the closing of the merger, the combined business will change its name to Tonner One World.
The 2015 DOLLS Awards of Excellence Industry’s Choice winners (DAEs, also called the Diamond Awards) were announced at the International Doll & Teddy Bear Show in Asheville, N.C., June 6. The Industry's Choice winners will go on to become the nominee's in the Public's Choice voting, set to begin in late June.
Without further ado, here are the winners of this year's Industry's Choice Diamond Awards!
August 8, 2014 - Blackall Associates Inc. is proud to announce the winner of its Summer Heat Photo Contest. The contest drew entries from around the world. Masterpiece Doll collectors sent in a special photo showing how their Masterpiece Dolls were enjoying the summer heat.
You haven’t seen a toy show until you’ve seen this one. Six buildings! Over six hundred exhibitors! Exclusively toys and dolls and children’s playthings on display everywhere! This is the show everyone always says they intend to visit, and now is the time to do just that. Collectors say the Chicago Toy Show really is the largest in the entire world. They are correct. Collectors say they find toys at this show that are never seen anywhere else. Correct again.