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Robert Tonner: The Collector's Couturier

In the real world, fashion isn’t always fun. Upscale stores and boutiques are filled with stick-narrow clothing clearly never meant for a woman’s hips, chic designer garments with sky-high price tags, and oh-so-pretty shoes that go medieval on our feet. But thanks to Robert Tonner, the doll world’s leading couturier, we can live out all of our fashion fantasies with ease. Are hot, cutting-edge looks for you? If so, check out Tonner’s new offerings for the lovely and leggy Tyler Wentworth, such as “Florentine,” a curve-hugging silk-brocade gown with a plunging neckline. Are warm, nostalgic confections more your taste? Then take home Kitty Collier in “Lilac Cotillion,” a ball gown fit for a Southern belle, or treat your Tiny Betsy McCall to “Sunny Days,” a sun-bright checked playsuit topped with a pinafore.

There’s no need to visit the try-on room; these outfits will fit your dolls just fine. And the shoes, from Tyler’s sparkling spikes to Betsy’s multicolored maryjanes, won’t pinch a bit. There is one cav­eat, however: The dolls and costumes produced by the Tonner Doll Company of Hur­ley, New York, are so tempting that you may have a hard time selecting just a few.

“Emme’s” three separately available outfits include “Esca­pade,” which pairs a black tee with a multicolored skirt. The limited-edition en­semble, priced at about $45, includes a chiffon scarf, a faux leather trench coat and matching boots.Jo Ellen Brown, a collector from Plano, Texas, bravely faces Tonner temptation every year when the company’s line is introduced. A self-proclaimed “dyed-in-the-wool Betsy McCall fan,” she be­­gan collecting Tonner dolls when she saw his 14-inch vinyl Betsy modeling her “Betsy Learns to Sew” ensemble in a 1998 magazine ad. “The doll leaped off the page; she just spoke to me,” Brown says. Since then, she has purchased every doll and outfit in both the 14-inch Betsy McCall and the eight-inch Tiny Betsy McCall collections. Brown began collecting other Tonner dolls, too, beginning with the amiable Ann Estelle. “Once I fell for Robert’s work, I fell hook, line and sinker!” she says.

Tracy Smith from Wilmette, Illinois, started her Tonner collection with his glamorous 20-inch vinyl American Models, which debuted in 1994. “I remember thinking that I had never seen such beautiful dolls,” she recalls. Nowadays, collecting Tyler is “a passion” (“Florentine” is her favorite from this year’s line), but that’s not all: “I have a little bit of everything that Robert does,” she confides.

For 2002, Smith and her fellow Tonner fans have their work cut out for them, for even “a little bit of everything” will amount to quite a lot! Tonner has added dolls to seven collections: the Tyler Wentworth Collection, Théâtre de la Mode, Kitty Collier Collection, 14-inch Betsy McCall, Tiny Betsy McCall, For Better or For Worse (based on Lynn Johnston’s popular comic strip), Mary Engelbreit Collection (inspired by a paper doll character from Engelbreit’s Home Companion magazine), and Cloudland Playdolls (designed by cloth doll artist Shelley Thornton). From uptown girl Tyler Wentworth to girl-next-door “April” from For Better or For Worse, there’s something to suit every collector’s taste and budget. The cute and casual “April Sport Shorts” retails for just $40; Tiny Betsy in “Rose Cotillion,” a demure black-and-white ball gown, is about $55. Top-priced dolls include Théâtre de la Mode’s three glamorous additions, which sell for about $150 to $200, and the Cloudland Playdolls, which cost about $200 each.

One of Tonner’s well-known characters, the nostalgic fashion doll Kitty Collier, has a brand new look this year (you’ll read more about this later), and cutie Ann Estelle has a new pal–Gracie. “She is my first Asian little girl,” Tonner notes proudly. There are brand-new collections as well. Unless you have been hibernating all winter, you have undoubtedly heard about Emme, the first fashion doll with a full-size figure. Also new is Robert Tonner Collectibles, which debuts with three, 18-inch charmers: “Alice,” “Red Riding Hood,” and “Baking Gingerbread.” (The boudoir dolls that were introduced as part of Robert Tonner Collectibles at Toy Fair are not being produced this year.)

Of course, there are new outfits for the dolls, as well as a delightful smattering of accessories and gift sets. And, as if collectors didn’t have enough to choose from with all the Toy Fair introductions, Tonner has announced a mid-year release of more than eight dolls, plus outfits and accessories.

The mid-year release includes the long-awaited debut of Emme, the vinyl portrait of America’s most celebrated full-size model (see sidebar). The line opens with three costumed dolls and four separate costumes. (Although prices were not confirmed at press time, the dolls are expected to cost about $100 each and the outfits to range from $40 to $45.) The doll is simply breathtaking (check out “Effervescence,” which features Emme in a metallic sheath gown and an organza evening coat) and her costumes–such as the smart and sassy “Escapade” (black tee-shirt, multi-colored skirt, boots, trench coat and scarf)–will definitely make smaller fashion dolls green with envy. “We were going for a clean, classic sort of look with a trendy edge,” Tonner explains.

The Emme doll has made newspaper headlines and TV news ever since the prototype debuted in February at the American International Toy Fair. Since she is the first large-sized fashion doll, everyone has an opinion. “The response has been overwhelmingly positive, but some people have been unbelievably nasty,” says Tonner, his usually calm voice rising with indignation. The worst culprits, he adds, were two Fox Television news anchors (“they actually made fat jokes”) and a New York Post columnist who referred to the doll as “Barbie’s rotund rival.”

Ironically, Tonner did not intend the doll as a statement on our society’s view of women’s bodies and beauty; he simply wanted to do a celebrity fashion doll. He chose Emme–and approached her with his idea–because he was struck by her buoyant personality and radiant, all-American good looks when he saw her being interviewed on television. “I really like her persona; what she puts out there,” the dollmaker says. “And when I sculpted the doll, I tried to do a sculpture that was as true-to-life as I could make it. I was just sculpting a beautiful woman. I really wasn’t politically motivated, but I’m getting there!”

In contrast, Emme (her name is pronounced “emmie”) saw the doll as a vehicle for change from the start. An advocate for positive body images and the prevention of eating disorders, she had toyed with the idea of introducing a full-figured doll even before being approached by Tonner because her fans had asked for one. But when she and her manager, husband Phillip Aronson, tested the waters to gauge what the reaction to such a doll might be, they found the temperature mighty chilly. “It was going against the grain,” Emme says. “Not against what the public wants– because there are about 62 million American women who are a size 12 and above”–but rather, she adds, going against the uber thin image of women promoted by the fashion and entertainment industries.

About a year later, Tonner appeared on the scene. “From when I first met Robert, I loved his style, and I loved what he showed me,” Emme says brightly. “He does such an incredible job.”

Incredible is right: Tonner’s sculpture of Emme captures not only her physical attributes–her intelligent, sparkling eyes, beautiful smile and those feminine curves–but also her buoyant spirit and the majesty of her strong yet graceful form. When Emme was introduced to her 16-inch likeness at Toy Fair, she was “speechless.” She says, “I had all these cameras around me, and ET and the press all snapping pictures and shouting, ‘Emme, what do you think?’ And I’m looking, and I’m thinking, ‘Do I have to pinch myself now?’ I felt like I had just walked into a fairy tale.”

On the horizon, Tonner says, is a lower-priced, play version of the Emme doll, either 16 inches or smaller. In the meantime, however, collectors can play with what has proven to be one of the com­pany’s hottest new sellers: the four Ready-To-Wear Tyler Wentworth dolls. Retail­ing for about $49.99 and dressed in a lacy teddy and high heels, each RTW doll celebrates the shades of one season, with appropri­ately coordinated hair color, hairstyle and makeup.

“We’re playing with different hair fibers and makeup, and we’re having a lot of fun,” Tonner says. Fun is the operative word: Tonner designed the RTW dolls “to keep the play value in for collectors or for kids.” He adds, “To really make Tyler play friendly, she’s got to be inexpensive enough so buyers are not nervous about taking her out of the box and undressing her.” The RTW dolls are also geared for the growing number of enthusiasts who enjoy giving their dolls makeovers. “I think the price is reasonable enough so that if they cut her hair or repaint her face and they screw her up, it’s not that big a loss!” Tonner teases.

For 2002, “Betsy and Sandy McCall” will perform in the school play as Wendy and Peter Pan. Linda McCall joins in to complete the trio.  The dolls are limited to 500 each and sold separately. Sandy and Betsy cost about $80; Linda as Tinkerbell is $60.The company’s mid-year release expands the RTW collection with Ready- to-Wear Sydney, Esme and Mei Li dolls. Fully costumed versions of Tyler’s glamorous friends are also available. For 2002, Esme sports two new hairdos: long, curly hair and micro braids. Mei Li, who debuted at the end of 2001, has new, softer makeup that gives her a gentler look (“sometimes it takes a couple of shots to get the doll looking as it should,” Tonner admits). As for Sydney, who is currently the rage among fashion doll collectors (see sidebar), there are three models: “Sheer Glamour,” a golden blonde in a lemon swirl of a gown; “Firebird,” an auburn-haired beauty dressed to the nines in a lace-and-brocade gown topped with a matching full-length evening coat; and “Mover and Shaker,” a redhead ready for day or evening action with her pin-stripe suit and sequined camisole.

Not to be outdone by her 16-inch cousins, 18-inch Kitty Collier is reveling in her new look. “We kind of grew her up a bit,” Tonner explains. “She was more like an early Doris Day type, and I wanted to make her more sophisticated, so we had Sherry do some makeup magic on her.” (Sherry is noted doll painter Sherry Miller, who was hired by Tonner last year to give Tyler a makeover.) As a result of the revamp, Kitty now has a more expressive face, with glossy lips and dramatic eye makeup. Her wardrobe is more sophisticated, too. In “Femme Fatale,” a strapless black cocktail dress, sweet-faced Kitty is really quite the vixen. (“‘Femme Fatale’ is very Parisian-looking; she’s just gorgeous,” says Tracy Smith.)

Of all the children in the Tonner class of 2002, Tiny Betsy, who first appeared in late 2000, is the speediest seller. “The line has really taken off, probably because Tiny Betsy is so darn cute,” Tonner says with a laugh. The “Tiny Betsy All-American Gift Set” that was introduced at the end of 2001 was such a smash that Tonner has already introduced another set, “Pink Perfection,” which includes a blonde doll and a variety of pretty-in-pink outfits. In late April, when Tonner was interviewed for this article, he was already feverishly at work on more Tiny Betsy clothing, both for possible release later this year and for 2003. “We’re really having a blast with it,” Tonner says.

The tireless Tonner has a multitude of other projects either just completed or in the works. For a United Federation of Doll Clubs (UFDC) regional held in Greensboro, North Carolina, in April, he created a stunning 14-inch porcelain portrait of Ava Gardner. If you’re heading to Collectors United in Atlanta this July, you’ll see his“ Just Peachy Gift Set” for Tiny Betsy, as well as Sydney’s “Savoir-Faire.” The artist created a “Miss Unity” doll for the dedication of the new UFDC headquarters in Kansas City, and Portfolio Press is releasing a second limited edition Robert Tonner doll and book set, which includes the retro “Tyler Wentworth Manhattan Nights” and an update to The Robert Tonner Story. In addition, Tonner has teamed up with Joan Greene (former director of Gene Team) and Seventeen magazine to create a vinyl teen fashion doll for The Ashton-Drake Galleries.

Lest you worry that all work and no play will make Robert Tonner a dull boy, you can be assured that he really does enjoy his work. Whether he is experimenting with color pal­ettes for his beloved Tyler or creating clothes for his darling Tiny Betsy, he truly is “having a blast.” In fact, it’s hard to tell who is having more fun these days–the man who makes the dolls or the collectors who bring them home.

For information on the Tonner Doll Company releases and events, including the most current, accurate prices and ed­i­­tion sizes, visit www.roberttonner.com.

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FOR SALE
Robert Tonner Dolls and Outfits ~ MIB
Purchase All for $375 or individually for prices listed
Tyler Wentworth Dolls ~ $50 EACH:
Millenium Ball/Blond
Midnight Sapphire/Something Sleek Brown
Signature/Red hair
Tyler Wentworth Outfits ~ $45 EACH
Fragrance Launch
Cashmere Noir
Wake up Call
Urban Sport
Tonner – Kitty Collier Dolls ~ $40 EACH
Summertime Swing/Red Hair
Basic Kitty/Black Hair
All MIB!

Janet Barnes , October 23, 2010

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2013 DOLLS Awards of Excellence

The winners of the 2013 Industry’s Choice DOLLS Awards of Excellence (DAEs) were announced April 12 at the Debut of Dolls Banquet held at IDEX in Orlando, Fla. Each entry in this year’s competition was evaluated by our panel of judges: Doll industry consultant Pat Burns, doll writer and historian Penny Herbst, Simon Farnworth of DollObservers.com, author and DOLLS contributor Stephanie Finnegan,

DOLLS editor-at-large Jill Jackson, and Modern Doll President Patsy Moyer. This year’s Industry’s Choice winners go on to become the nominees for the Public’s Choice awards voted on by DOLLS readers. Look for photos of all the nominees, ballot, and online voting instructions in the July 2013 issue of DOLLS.

 

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DOLLS publisher Carie Ferg wins special Colliii Award

Iola, Wis. – Jan. 9, 2013DOLLS magazine publisher and former editor Carie Ferg received a special VIP Award for Outstanding Achievement in the 2012 Colliii Awards. The Colliii Awards are the largest online dollmaking competition in the world.

“We wanted to present the 2012 VIP Award to Carie Ferg as a recognition of the dynamism and innovation she has brought to the doll industry over the past few years,” said Colliii Awards Director James Carlsson. “The VIP Award is presented every year to a person or organisation that has made a significant contribution to the doll world. It was Colliii.com’s pleasure to present this to Carie as a token of appreciation for her hard work.”

Past VIP Award winners include DOLLS’ Editor-at-Large Jill Jackson for her work with "Doll Reader," the Biemann family from Schildkröt dolls in Germany, and such atists as Stephanie Sullivan.

Registration for the 2013 Colliii Awards will begin in July. For more information about the competition, go to www.colliii.com/en.

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Wow, this is some great info on this competition. Congratulations to her and I hope that she will continue to make dolls in the future. There are so many things that can be done in the doll making world and it is good to know that these people who spend a lot of their time and energy on creating them are recognized in this manner. I hope she will continue to create.

 

 

 

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ProSculpt 2012 winners announced

The winners of the 2012 ProSculpt Annual Sculpting Contest have been chosen by collectors and artists from around the world. Winners this year are from England, Italy, Japan, South America, and the United States. Photos of all the winners can be viewed at the Johnston Original Art Dolls website. The winners are:

 

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I'm of the same frame of mind, these are figurines, not dolls and should not be in a magazine devoted to DOLLS. That is one of my main complaints with the Haute Doll mag that Dolls is putting out, seeing Figurines and not dolls, and advertising that is not specific to the magazine bugs me too.
Jennifer Duff , March 17, 2013
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I don't understand how these things can be considered dolls. I would call them statues or figurines but not dolls.
Lorie Schatti , January 17, 2013

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A Chair for Your 16-Inch Sweetheart

Just in time for Valentine’s Day, Haute Doll introduces its new exclusive by Horsman Ltd., the modern-style “Heart Chair” perfect for 16-inch fashion dolls. The design was inspired by Verner Panton’s 1959 full-scale contemporary chair design.

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Rockin’ Out at Rockefeller Center: An outdoor winter event showcases model-worthy Manhattanites.

Available on December 6, “Ravena, Winter Chic” is an exclusive BJD from Ruby Red Galleria and DOLLS magazine. It can only be purchased through DOLLS.
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I just learned about a new BJD debuting on December 6—it's a Ruby Red Galleria exclusive for DOLLS. The creation is so spot-on in its costuming and its attitude, I swear that one of the designers must have been tailing me last month.

When my friend Cam phoned me and invited me to the annual Rockefeller Center Christmas tree lighting, I should have said “no.” Any sane person would have, but sanity and an evening with Cam rarely go hand-in-hand. Instead, I agreed, and we headed out to Midtown Manhattan on one of the most crowded, most frantic nights of the year.

As we attempted to approach the skating rink where the enormous evergreen will reign supreme, I looked at Cam and burst out laughing.

“Isn’t this how ‘The Day of the Locust’ ends?” I shouted to him. (That film from the 1970s is among my and Cam’s favorite flicks. It stars Karen Black and Donald Sutherland, and it concludes with a horrible, free-for-all deadly crowd stampede.)

“Don’t be such a Grinch,” he called back. “Or should I say ‘Grinchette’!”

“I’m not sure there is a female Grinch,” I replied. “I know there was a Smurfette, the only blue gal around. But a Grinchette? I have to check my Seuss.”

And so this intellectual discourse continued as we fought our way through the jangling and jostling crowd—and, yes, the mass of people were LITERALLY jangling as they jostled. A huge number of them had on Santa hats with bells affixed or had bells attached to their lapels or collars. They were rude but they were rhythmic!

Since our trekking was so slow, and the other gawkers had gotten their much earlier to stake out their spots, Cam and I didn’t so much watch the tree lighting as watch the other folks’ reactions to all of the events.

A shrill shriek would emerge from the people way ahead of us.

“What is it?” I’d ask.

“Il Vole,” Cam would reply, referencing the teenage opera singers.

A cheer would erupt.

“Who is that?” I questioned.

“Chris Mann, from ‘The Voice.’” Another opera singer, who is marketed as a heartthrob.

Then just a smattering of applause.

“Mayor Bloomberg,” we both declared.

Since we were merely hearing the audio playback of the concert, we gazed at all the young men and women surrounding us.

“I think there is more wool here on Sixth Avenue than in all the sheep farms in Scotland,” Cam proclaimed.

Looking around, I had to agree.

Guys and girls were all decked out in the “official” apparel of the season: woolen flap hats, jauntily tied scarves, and boots. Girls had on legwarmers—“Hello, Flashdancers”—and fingerless gloves. (“What’s the point of that?” Cam groused. “Are we supposed to WANT our fingernails to turn blue?”) We had our very own Joan & Melissa Rivers Red Carpet fashion critique.

There’s a certain hip look that New Yorkers achieve—even when they are multilayering, they still come across as thin, chic, and hip. When I add scarves and sweaters and hats to my wardrobe, I look bundled up and ready to explode: envision the Michelin Tire Man, but not as perky.

When these twenty-somethings put on the extra bits of fabric, they look like they are taking a break en masse from shooting the Abercrombie & Fitch catalog. It really is quite amazing.

“I wish we could bottle their youth,” Cam lamented, looking at all the rosy-cheeked kids, teens, and college students who were scrambling about.

“Yep,” I agreed, “but can you imagine how much it would cost? And just how big would that bottle have to be! Better just to dream about it.”

And, wouldn’t you know it, just in time for Christmas . . . a doll that perfectly embodies that free-spirited New York City style has loped onto the scene.

The ball-jointed doll, which is a collaboration between DOLLS magazine and Ruby Red Galleria, is fittingly named “Ravena, Winter Chic.” Limited to 100 pieces, she’ll sell for 149.95. And, like all the other fashionable femmes who congregate in Manhattan, she weighs only 2 pounds, 6.9 ounces! The “Ravena” doll is bundled up and beautiful. Quite a feat, indeed!

Like her advertising copy says: A New York City native, the harsh NYC winters don’t stop “Ravena, Winter Chic,” a DOLLS dressed doll exclusive by Ruby Red Galleria, from exploring the city she loves. From uptown boutiques and coffee shops to downtown restaurants and theater, “Ravena, Winter Chic” bundles into her purple tights and faux-fur boots, corduroy short pants, pansy T-shirt, black motorcycle-style jacket and cozy knit hat to hit the streets in style. Even when the elements are unforgiving, “Ravena” survives and thrives in the city that never sleeps! The fully dressed 12-inch ball-jointed vinyl doll features removable wig and eyes, plus underwear and a sweet “love” tank top.

Ruby Red Galleria always has a way with its wardrobe, and “Ravena, Winter Chic” is no exception. I am sure Cam will be ordering one online. He’s probably circled December 6 on his calendar. After all, if he was willing to chew “instant youth” vitamins or spray on “adolescent forever” cologne, can you imagine how happy he’ll be to have a chic New Yorker to call his own?

“Exercising and eating well . . . who could be bothered,” Cam knowingly observes. “I’d rather play my way to younger days.”

And, yes, it can’t be denied. Cam has the healthiest inner-child in town!

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Pullip and Dal Doll Lovers Event
Fans of Pullip and Dal pose with their dolls at PUDDLE 2011. Photo by Mike Hurlock

The fourth Pullip and Dal Doll Lovers Event (PUDDLE) drew 60 doll lovers from 10 different states and Canada to the Elk Grove Village Holiday Inn in June. This year’s theme, cranes, was inspired by the sandhill cranes at the group's charity organization, the Willowbrook Wildlife Center. Six custom dolls and other items donated by sponsors like The Sleeping Elf and Denise's Dolls were raffled off at the event, raising $500 for the center.

The weekend started Friday night with dinner at Mitsuwa Japanese Mall in Arlington Heights, followed by a tea party at the hotel. PUDDLE officially kicked off at 9 a.m. Saturday, starting with an organized buy-sell-trade opportunity, and dozens of fans milled around trading and buying doll wigs, eye chips, bodies, clothing, and more.

5_costume_contest_newEvery attendee received a door prize, thanks to generous donations from many sponsors. Distribution of the door prizes was followed by a secret gift swap and lunch break. Afterwards, an informal Q&A-format customizing workshop answered questions for many fans new to the hobby, followed by a display of fully customized and modified dolls entered in the customization contest. Winners of an online photo/art contest which was held and judged before the event were announced along with the customization contest winners. The photo and art entries can be seen at www.puddlestyle.com/photoart.html.

Many fans continued the fun over dinner in the hotel restaurant and in the hotel lobby until the wee hours. Krista Farmer, who traveled from Toronto for the event, said “It was a crazy cool day.” Although the event officially ended Saturday night, 11 fans stayed for a behind-the-scenes tour of the Willowbrook Wildlife Center Sunday. — Jane Easterly

For information on PUDDLE 2012, visit www.puddlestyle.com.
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R. John Wright Convention

Attendees at the third annual R. John Wright Convention enjoyed the festivities of several major holidays coupled with outstanding dolls,R. John Wright introduces the “Wicked Witch of the West,” the newest piece in the Wizard of Oz series, at the Halloween Masquerade Luncheon. all rolled into four fun-filled days! R. John and Susan Wright chose “Celebrations!” as the theme for their 2011 event held at the historic Desmond Hotel in Albany, N.Y., which was co-chaired by Loretta Nardone and Lillian Wright.

The convention opened with St. Patrick’s Day reception Wednesday evening, where everyone laid claim to being a wee bit Irish while enjoying a scrumptious dessert buffet. The sales room opened immediately after this kick-off event, with conventioneers hoping the “luck of the Irish” would help them find that perfect doll or dolls.

Thursday began early with the Easter Morning Breakfast; those attending this ticketed event didn’t have to search for large, beautifully decorated baskets serving as table centerpieces. They were filled with molded felt eggs in pastel colors. At the end of the breakfast, the eggs were distributed and the happy new owners opened them to find “Peep,” a 3-inch yellow mohair chick as their event souvenir. His companion, “Posey,” was available for sale. After breakfast the special and competitive exhibits opened, along with the helper room. This year’s special exhibit, arranged by John and Susan Wright’s daughter Emily, was titled “Happy Holidays” and showcased R. John Wright dolls and animal characters and the traditional holidays that inspired them.

That afternoon, attendees boarded buses for the short trip to Bennington, Vt., for a tour of the R. John Wright facility along with other local activities. The Wrights explained the development of their creations from concept through completion before everyone had the opportunity to visit with their employees as they made various doll parts and accessories and shopped in the R. John Wright store. The day culminated with a Fourth of July BBQ followed by fireworks at dusk.

“Rose Fairy,” a new addition to the Flower Fairy series, was available for purchase at the Valentine’s Day High Tea.Workshops by dollmaker Gail Wilson and a program by Alan Pate, a leading American expert on Japanese dolls, were offered on Friday, along with several roundtable discussions on various topics. Attendees dressed up for the frightfully fabulous costume parade leading into the Halloween Masquerade luncheon, with prizes awarded in five categories. After lunch, the newest piece from R. John Wright’s Wizard of Oz collection, “Wicked Witch of the West,” made her debut in front of an enthusiastic audience.

The ticketed Victorian Yuletide Dinner featured traditional table decorations and an enchanting program, “A Victorian Christmas,” presented by Nardone. The event souvenir was the 10-inch “Mary Frances,” the latest addition to the Victorian Children Collection. Available for purchase was her 7-inch little sister, “Baby Grace.”

Saturday morning’s activities included another program by Pate and a workshop conducted byElaine Romberg won the Best of Show ribbon in the Competitive Exhibit for her exceptional Lenci Leprechaun Gnome type character doll. Emily Wright. That afternoon, a Valentine’s Day High Tea charmed conventioneers with fine teas and delicacies. The newest addition to the Flower Fairies series, “Rose Fairy,” was available for purchase. The evening’s closing event was a New Year’s Eve Gala Celebration. This elegant banquet featured another entertaining program produced and presented by Nardone. When the souvenir dolls were distributed, delighted attendees found the adorable 12½-inch “Celebration Scootles” would be going home with them. As an added bonus, her delightful twin brother was available for purchase.

As the convention ended, attendees were already making plans for next year’s “Around the World” event, which will be held at the same location June 20-23, 2012 and will celebrate the magic of children around the globe. There will also be an added treat as the first bear event held at an R. John Wright convention will be incorporated into the excursion to the Wrights’ facility in Vermont. For more information, visit www.rjohnwright.com or call (802) 447-7072. — Pat Burns
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